The pedal, itself, has a very clean, professional look. To date, though, I think that Eventide’s H9 Control app, which connects to the pedal via Bluetooth, is the most impressive pairing of these devices we’ve seen. In fact, we have had several installments by Tom Lees looking at different interfaces.
#Eventide h9 auxl switch how to#
We have seen different manufacturer’s take numerous paths in regards to how to integrate smartphones, tablets and other iOS devices into the live performance scenario. What’s that all about? Oh, nuthin’ but a game-changer… Then, I noticed that they were controlling this pedal with an iPad. When I first saw the diminutive (compared to its predecessors) H9 and learned that it packed all the options of Eventides’ prior pedals – and more – into a single unit, I was immediately intrigued. The ModFactor, PitchFactor, TimeFactor and Space pedals were on the large size, but packed some of the pest studio rack gear into a convenient, live-gigging package. The first round of stompboxes which Eventide put out were very impressive, with a lot of processing horsepower, and they were broken down by effects type. Since then, we have been able to spend a good bit of time with the H9, and it continues to impress.
So much so, in fact, that we ended up giving Eventide a Best of Show Award for the H9 that year. At Doug’s urging, I stopped by the Eventide booth and was impressed with what I saw. Later on, the guitar player in that same band ( BGM‘s very own Technical Editor, Tom Lees) picked up some fantastic-sounding Eventide pedals, and let me tell you, I was jealous!įast forward to the 2013 Summer NAMM Show, and Doug Whimbish is bending my ear hard, telling me that I have to check out this cool new pedal from Eventide. We were pretty much in awe to begin with, but the rack with several Eventide Harmonizers had us all drooling. My first experience with Eventide came in the late ’80s, when my band won some studio time in a high-end studio as part of a battle of the bands prize.
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